Bright Lights
So yeah, the last two entries were a bit of an embarrassment. I had every intention of coming home from the concert last night and posting, but it takes a long time to get across the city and it truly was midnight and I decided to wait.
I'm actually glad I did, as it allowed me time to digest the show last night and really formulate a strong opinion. After all, it's not every day you see a show that started with a badly rhymed invocation by a pirate-cum-town-crier, and included the crew dressed as superheros, a balloon drop to rival New Year's Eve, the lead singer rolling around on the crowd in a big bubble, confetti cannons, confetti guns, confetti/balloon guns, strobe lights, smoke machines, more confetti, go-go dancers dressed like aliens, go-go dancers dressed like Santa Claus, a big blow-up bouncy alien, a big blow-up bouncy Santa Claus, singing nun puppets, extended audience sing-alongs, crazy videos, three disco balls, a number of increasingly uncomfortable (even for me!) potshots at George Bush, one guitarist dressed as a skeleton, the other guitarist singing through a megaphone, a roaring, rollicking, rendition of "Bohemian Rhapsody" to close the night, and a big round of applause from a pair of giant hands.
It was a good show.
Actually, it was a VERY good show. The entire spectacle - and it is a spectacle - manages to transcend the merely weird and wild to exist on an entirely different plane. The Lips' frontman Wayne Coyne posits himself a psychedelic ringmaster for a new millennium and he's largely successful. Charismatic, loquacious, and strangely compelling, he gives you the impression that this seemingly random mash of visual and musical elements has sprung from some deep belief. He has a world view that he's not afraid to share: liberal, hopeful, slightly twisted, kind of cheesy, but ultimately compelling. He behaves as if he truly believes that the sheer force of his will - coupled with the power of his music - can heal the world.
And it's hard not to respond to that. It's hard to ignore someone who puts out that much positive energy, especially when it's done in both a simply outrageous and slightly twisted fashion. It's hard to ignore the two laddish blokes behind us leaving the venue who linked arms and skipped to the "We're off to see the Wizard" exit music over the PA. It's hard to ignore an audience who comes in costume. And it's especially hard to ignore a band that has the venue staff giggling in the aisles as they try to abscond with giant balloons. In my experience, for a band to have that kind of transformative power is quite a gift. For them to recognize it and to use it for good is even cooler.
But (and this is a big, BIG, but)...
The music could have been better. A LOT better. The Flaming Lips are a brilliant band who make outstanding records, and who have - I believe - been known to put on a pretty good live show. Their albums are complete soundscapes built around the same storylines and world views that underpin their live shows. They're funky, poppy, pretty, layered, and ultimately elegant pieces of work, yet I heard very VERY little of that last night. Even their most anthemic songs - "Fight Test," "Yoshimi," and "Do You Realize" - despite being given the full treatment, just didn't resonate (literally and figuratively) to their fullest potential. Just because I'm a jamband fan doesn't mean I look for jams everywhere (case in point: Wilco), but I felt these songs needed stretching. There were beautiful visual moments that begged for musical atmosphere. There were beautiful musical moments that begged for more time. There were too many truncated endings to songs that begged for another verse. There was just too much left begging.
And so ultimately I just can't help thinking: When you have music that inspires a solo listener over headphones, and a stage show that inspires thousands of jaded Londoners, what would happen if theyreally worked together? What I saw last night was only one side of the equation, but what I can envision is a lot lot more.
You CAN heal the world through the force of will and the power of music. And you just may be the man to do it, Wayne Coyne. You've got the will thing down, you've just got to work on the music.

